This edition was published in the Spring of 2015. Anna Rackley was the featured model. All our regular series return. There were two Lighting the Un-lightable features, as well as an essay by Jim Hoyle on printing and a photo essay by Haley Rayner.
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This edition was published in the Wynter of 2016. The featured model was Nikki Halls. There were photo essays by Lew Brown, Andy Walcott, Jim Whiting, and Falcon. Product reviews of Alien Skin's Exposure X, Macphun's Aurora HDR, and a new Think Tank bag. Nikki Halls is also featured in Lighting the Un-lightable. Poetically Man Dwells returns as well. Seamus Whyte and Falcon continue their discussion of the state of the photography industry.
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This edition was published in the November of 2016. The featured model was Lynn Winters. There were photo essays by Lew Brown, Andy Walcott, and Falcon. There was a product reviews of a new Think Tank bag. Akira is featured in Lighting the Un-lightable. For the first time we announced our Products of the Year. Poetically Man Dwells returns as well. Jim Whiting and Falcon continue their discussion about photography in Behind the Scenes. There is also a technical article on color reproduction in the NEC PA322UHB-BK-2.
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This edition was published in the March of 2017. The featured model was Julie. There were photo essays by Lew Brown, Andy Walcott, and Falcon. There was a product reviews of a new Think Tank bag, and the Video Devices PIX-E7. isis was featured in Lighting the Un-lightable. Poetically Man Dwells returns as well. Jim Whiting and Falcon continue their discussion about photography in Behind the Scenes. There is also a technical article on alternative printing by Jim Hoyle.
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This edition was published in the June of 2017. The featured model was Kerry Meadows. There were photo essays by Lew Brown, Andy Walcott, and Falcon. There was a product reviews of Affinity Photo. Katherine, Amber Starr and Ru were featured in Lighting the Un-lightable. Lighting the Un-lightable looked at working with ambient light. Poetically Man Dwells returns as well. Jim Whiting and Falcon continue their discussion about photography in Behind the Scenes. There is also a technical article on alternative printing by Jim Hoyle and Falcon.
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This edition was published in the August of 2017. The featured model was "Torment." There were photo essays by Lew Brown, Andy Walcott, and Falcon. There was a product reviews of a new ThinkTank Photo bag. Laura Wiley was featured in Lighting the Un-lightable. Lighting the Un-lightable looked at working with Profoto's Fresnel technology at Belmont Estate. Poetically Man Dwells returns as well. Jim Whiting and Falcon continue their discussion about the philosophical aspects of The House of NyghtFalcon's NyghtVision Methodology in Behind the Scenes. There is also a photo essay by Jim Hoyle
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This edition was published in the November of 2017. The featured model was Sarah Boyd, Falcon's fifth muse. There were photo essays by Lew Brown, Andy Walcott, and Falcon. There was a product reviews of a new ThinkTank Photo bag. Sarah Boyd was featured in Lighting the Un-lightable. Lighting the Un-lightable looked at working with Profoto's Fresnel technology at Belmont Estate. Poetically Man Dwells returns as well. Jim Whiting and Falcon continue their discussion about the philosophical aspects of The House of NyghtFalcon's NyghtVision Methodology in Behind the Scenes. There are also reviews of Alien Skin's Exposure X3 and Sirui's smartphone lens kit.
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NyghtVision Volume 8 #1 was published in the March of 2018. The featured model was Sarah Boyd. There were photo essays by Lew Brown, Andy Walcott, Sandi Ramirez, and Max Operandi. Sarah Boyd also was featured in Lighting the Un-lightable which looked at using ambient light. There was a product reviews of PortraitPro version 17, DxO Lab's new PhotoLab, and Gnarbox. Part 2 of a review of Sirui's lens kit for smartphones was also included. Sarah Boyd also was featured in Lighting the Un-lightable. Lighting the Un-lightable looked at working with ambient light. Poetically Man Dwells returns as well. Jim Hoyle continued his series on alternative print methods, this time focusing on using gold leaf.
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NyghtVision Volume 8 #2 was published in the May of 2018. There were photo essays by Lew Brown, Andy Walcott, Tony Aldrige, and Risen Phoenix. Lighting the Un-lightable looked at using ambient light to photograph sunrises and sunsets. There was a product review of Think Tank's Production Manager 40. Poetically Man Dwells returns as well.
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NyghtVision Volume 8 #2 was published in August of 2018. There were photo essays by Lew Brown, Andy Walcott, Miele Rancido, Tony Aldrige, and Risen Phoenix. Lighting the Un-lightable looked at using ambient light with a new camera. Jim Whiting and Falcon look at how the technology NyghtFalcon uses has changed. Poetically Man Dwells returns as well.
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NyghtVision Volume 9 #1 was published in January 2019. Featured in this edition is the work of Aziza (Ethiopia), Ben Ernst (Netherlands), St Merrique and Lexi were featured models. Several new features appear in this edition, including one on how to purchase vintage lenses. There were photo essays by Lew Brown, Andy Walcott, and Falcon. Lighting the Un-lightable looked at working with ambient light when working with a new camera. Poetically Man Dwells returns as well. This edition features a new format.
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NyghtVision Volume 9 #2 was published in May 2019. Featured in this edition is the work of SirsDarkStar (USA), Gregory Brown, John Tisbury (England), Dennis Keim, Spyro Zarifopoulos, Paolo Lazzarotti (Italy). Several new features appear in this edition, including one on how to purchase neutral density filters. There were photo essays by Lew Brown, and Falcon. Lighting the Un-lightable looked at working with Neutral Density Filters. Poetically Man Dwells returns as well. Product reviews included Qimage and PortraitPro. Read this edition for free here.
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NyghtVision Volume 9 #3 was published in August 2019. Featured in this edition is the work of SirsDarkStar (USA), Gazelle Powers, Dennis Keim, Sandy Ramirez, Katarzyna Wieczorek (Poland). Several new features appear in this edition, including one on how to purchase a vintage lens. The Pentax 6x7 100 MM macro lens was featured and Anonym was the featured model. There were photo essays by Lew Brown, and Falcon. Lighting the Un-lightable. Poetically Man Dwells returns as well. Read this edition for free here.
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NyghtVision Volume 9 #4 was published in November 2019. Featured in this edition is the work of Ella Rose, Cheri Summers, Patrick Stack, and Rasmus Stelling. Product reviews include, H&Y Circular Neutral Density Filters, PortraitPro version 19. The Way Back looks at the Mamiya RB67 medium format film camera. There were photo essays by Lew Brown, and Falcon. Lighting the Un-lightable. Poetically Man Dwells returns as well. Read this edition for free here.
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Obsidian Grauvre represent the finest images available. Obsidian Grauvre offer experienced collectors an investment in a unique emotional and visual experience. Crafted using the finest papers and inks, these "etchings on paper" represent the culmination of countless hours of work using our Ar*Tem process. Under glass these Grauvres will last in excess of 200 years. Obsidian Grauvre are guaranteed for life.
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Onyx Grauvre are crafted using the finest papers and inks, these "etchings on paper" represent the culmination of countless hours of work using our Ar*Tem process. Under glass these Grauvres will last in excess of 100 years. Onyx Grauvre offer the discerning collector an emotional and visual experience that is unparalleled.
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"Some Say Love" (NF199322-SF) Location: Greensboro, NC.
This series is born in real life, in the tragedy of love lost and the grief of fading memories. This series takes its name from the song, "The Rose." That song speaks of tragedy, loss, and hope. This series is dedicated to Edna St. Vincent Millay and to Tsion Hailu. Not sure which one to purchase? Click here. -
"Some Say Love" (NF199322-SF) Location: Greensboro, NC.
This series is born in real life, in the tragedy of love lost and the grief of fading memories. This series takes its name from the song, "The Rose." That song speaks of tragedy, loss, and hope. This series is dedicated to Edna St. Vincent Millay and to Tsion Hailu. Not sure which one to purchase? Click here. -
In 2018, we began our journey back into the world of vintage film photography. Crafted with Pentax 6x7 cameras ranging in age from 50-70 years, and with various 4x5 film cameras from the 1950s, each image is brought to life in the darkroom of old, and then brought forward in time to the age in which we live. Each Grauvre Noir possesses the hallmark grain for the film used to create it. This image is Greensboro, North Carolina.
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“The Myst and The Tree” (NF199322-SF) Location: Gold Hill, NC.
It was as though we - Lew Brown and I - were out on one of our photography trips - stepped out of our cars into a world of dark, ghostly shapes that only emerged momentarily from the shadows of the myst. Despite the pretense of a fall morning, the air was heavy, wet, and the myst seemed to drape over the buildings around us and touch the ground. Everywhere there were trees, stripped of leaves, barren and forgotten, whose limbs stretched like long thin fingers into the myst. A vintage Pentax 6x7 lens was used. Not sure which one to purchase? Click here. -
“The Otherside” (NF199318-SF) Location: Gold Hill, NC.
It was as though we - Lew Brown and I were out on one of our photography trips - stepped out of our cars into a world of dark, ghostly shapes that only emerged momentarily from the shadows of the mist. Despite the pretense of a fall morning, the air was heavy, wet, and the mist seemed to drape over the barn and touch the ground. On the edge of complete neglect, the barn seemed covered in sadness and grief in the face of forgottenness. Now, more than an hour into our shoot, my feet were as wet as the grass. I followed the mist that seemed to swirl around the barn to the other side. A vintage Pentax 6x7 lens was used. Not sure which one to purchase? Click here. -
The Upper Room 0788 Location: Reidsville, NC
Falcon and Cheri began working together in late summer, 2019. Their work together has had wide critical acclaim. This image, one from The Upper Room series, was created in January 2020 Not sure which one to purchase? Click here, -
The Upper Room 0796 Location: Reidsville, NC
Falcon and Cheri began working together in late summer, 2019. Their work together has had wide critical acclaim. This image, one from The Upper Room series, was created in January 2020 Not sure which one to purchase? Click here, -
The Upper Room 0803 Location: Reidsville, NC
Falcon and Cheri began working together in late summer, 2019. Their work together has had wide critical acclaim. This image, one from The Upper Room series, was created in January 2020 Not sure which one to purchase? Click here, -
The Upper Room 1556 Location: Reidsville, NC
Falcon and Cheri began working together in late summer, 2019. Their work together has had wide critical acclaim. This image, one from The Upper Room series, was created in January 2020 Not sure which one to purchase? Click here, -
The Upper Room 1570 Location: Reidsville, NC
Falcon and Cheri began working together in late summer, 2019. Their work together has had wide critical acclaim. This image, one from The Upper Room series, was created in January 2020 Not sure which one to purchase? Click here, -
“The Wrecked and the Dead” (NF200245-A-SFx)
Location: Somewhere near Durham, NC. I’ve seen abandoned cars before. I’ve seen wrecked cars many times. I’ve never seen such carnage, so many wrecked, destroyed, neglected, deserted, cars. I was profoundly sad, and the longer I wandered around the wreckage, the more deeply saddened I became. There seemed to be no logic to the destruction. I could feel the memories. I could almost feel people sitting in some of the cars, and the pride they would have felt when these cars were new. The carnage of steel and chrome left me without words. Adding to sense of loss was the house that faced the road. From a relatively new farm tractor to a recent vintage tow truck, the area around the house was covered with day-to-day signs of life, except no one lived there any longer. It was - literally - as though one day everyone who lived there - including the children - simply left and took nothing with them. Select a print category: Graphite, Onyx, or Obsidian. Not sure which one to purchase? Click here. -
In 2018, we began our journey back into the world of vintage film photography. Crafted with Pentax 6x7 cameras ranging in age from 50-70 years, and with various 4x5 film cameras from the 1950s, each image is brought to life in the darkroom of old, and then brought forward in time to the age in which we live. Each Grauvre Noir possesses the hallmark grain for the film used to create it. This image is from Greensboro, North Carolina.
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In 2018, we began our journey back into the world of vintage film photography. Crafted with Pentax 6x7 cameras ranging in age from 50-70 years, and with various 4x5 film cameras from the 1950s, each image is brought to life in the darkroom of old, and then brought forward in time to the age in which we live. Each Grauvre Noir possesses the hallmark grain for the film used to create it. This image is the south falls, near Hanging Rock State Park in North Carolina.
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In 2018, we began our journey back into the world of vintage film photography. Crafted with Pentax 6x7 cameras ranging in age from 50-70 years, and with various 4x5 film cameras from the 1950s, each image is brought to life in the darkroom of old, and then brought forward in time to the age in which we live. Each Grauvre Noir possesses the hallmark grain for the film used to create it. This image is the south falls, near Hanging Rock State Park in North Carolina.
