Page 29 - NyghtVision Magazine Volume 5 #2
P. 29

Emotion                         Emotion is a function of de-
   The essence of being human   tail, texture, contrast and
                                our experience of space. The
                                more emotionally powerful
                                an experience, the stronger
                                the biochemical reaction.

                               derstanding of how to deliberately and intentionally
                               create an emotionally powerful image is significantly
                               better than it was a decade ago, we need to create
                               only a handful of images. In 2003, the average shoot
                               generated five hundred or more images in three
                               hours. Now, perhaps fifty. We have progressed to
                               the point that our knowledge and methodology en-
                               able us to consistently produce high quality still im-
                               ages.
                               Seamus: What is a high quality still image? I can
                               select what I think is a high quality image that gen-
                               uinely appeals to me, but because of your extensive
                               knowledge of photographic art, you may not agree.
                               How do you judge the quality of a still image?
                               Falcon: That's not an easy question to answer. We
                               have lost the aesthetic sense that once dominated
                               photography, when a photograph meant something,
                               and most now do not. At the event we shot this past
                               weekend, if I had counted the number of selfees tak-
                               en and multiplied them by only a nickel, I probably
                               could retire. The rise of social media and the inces-
                               sant creation and sharing of images has diluted our
                               sense of what constitutes a quality image.
                               Seamus: Because of the number of images we are
                               exposed to, through texting, Twitter, Instagram, Pin-
                               terest, Vimeo, etcetera, our appreciation for images
                               is watered down. However, isn't it just as possible
                               that the higher quality images would stand out even
                               more?
                               Falcon:: Yes, to some extent. However, in the
                               world of the ubiquitous picture, we have been lead

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