Page 91 - Lighting the Unlightable Volume 1 #1

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Managing the transition from the corner to the win-
dow was a challenge. I had to keep the lights away

from the wall or the wall would have looked unnat-
ural. The wall itself is white, the wood trim is cream,
and the fabric on the wall had a slight gold tone. I
wanted to make sure that all these tones were repre-

sented in the image.
Note the shadows toward the bottom. They are soft

enough to look natural. The black of her dress and
her skim tones are also natural.

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