Page 96 - Lighting the Unlightable Volume 1 #1

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Whatever I did, I wanted to be able to move quickly from one scene to another.
I was able to turn the lights around with no further adjustment to photograph
Anna in the corner to the right of the fireplace.

 The space was different enough, even though we moved
just a few feet, that I had to change how the B4s were posi-
tioned. The one on the left was aimed toward Anna's torso.

 The B2s were just moved as a unit. They were configured

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