Page 18 - Lighting the Unlightable Volume 1 #1

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There are no hard and fast
rules for “segmenting” an im-
age into sections. I look for
common tonality, shadow
lines, and even how the lines
of the model shape a space.
In this case, this area was de-
fined - as far as my eye was
concerned - by the line of
her leg and by the shift in the
color of the wall to a softer
gray.

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I loved her pose and I loved the way she held her head. This brought the light dramat-
ically over her face, highlighted the detail of the dress, and even followed the contours
of her musculature.

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