From the first-time collector to the seasoned, discerning collector, we offer choices to meet your expectations. For the first-time collector, or the casual collector, we offer Graphite Fine Art Prints. Each is printed using museum quality ink and paper.
For the more serious collector, we offer Grauvre, “etchings on paper,” for the ultimate visual and emotional experience. As much as the images here on this site offer an approximation of that experience, until you hold one in your hands, it is difficult to express the depth of detail and the quality of the rendering. Rendered at up to 1200 DPI – four times that is industry standard for fine art prints – each Gravure is a work of art.
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Afternoon Light 1362 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 1369 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 5376 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 5381 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 5384 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 5397 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 1369 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 5405-1 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 5406 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Afternoon Light 6799 Location: Reidsville, NC
The Afternoon Light series began in 2010. Over three years, more than 1,000 were created. The model in this series was iNnana, Falcon's third muse. Most of the images were created at Belmont, though to series began outside Madison, NC. The series was born on a late winter afternoon as the sun set through the blinds in the room where Falcon and iNnana were working. Not sure which one to purchase? Click here. -
Only our finest work is included in this series of Grauvre. Crafted painstakingly each Grauvre is unique and never again rendered in exactly the same way. Included in this class of work are our Caravaggio nudes. Each Grauvre in this group is a one-of-a-kind image created from a series of textures to create an image in the tradition of the Italian artist.
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In 2018, we began our journey back into the world of vintage film photography. Crafted with Pentax 6x7 cameras ranging in age from 50-70 years, and with various 4x5 film cameras from the 1950s, each image is brought to life in the darkroom of old, and then brought forward in time to the age in which we live. Each Grauvre Noir possesses the hallmark grain for the film used to create it. This image is Greensboro, North Carolina.
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Photographing the human form is very difficult. The transition of light over the human body is often complex and lighting the human form requires patience and careful attention to detail. The Caravaggio series of fine art nudes began in 2010. Each image in the series is created using countless textures carefully combined as Caravaggio would have painted one of his masterpieces. No two are ever the same, and, the process by which a single image in this series is created is unique and is impossible to recreate. The model featured here is Cheri Summers. Not sure which one to purchase? Click here.
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Photographing the human form is very difficult. The transition of light over the human body is often complex and lighting the human form requires patience and careful attention to detail. The Caravaggio series of fine art nudes began in 2010. Each image in the series is created using countless textures carefully combined as Caravaggio would have painted one of his masterpieces. No two are ever the same, and, the process by which a single image in this series is created is unique and is impossible to recreate. The model featured here is Cheri Summers.. Not sure which one to purchase? Click here.
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Caravaggio 10 Location: Reidsville, NC
This series began in 2010.Each image is exclusively crafted using a variety of textures combined to make a work of art that can never be duplicated. The model in this image is Cheri Summers, one of the best with whom Falcon has ever worked. This image was created in December of 2019. Not sure which one to purchase? Click here. -
Caravaggio 11 Location: Reidsville, NC
This series began in 2010.Each image is exclusively crafted using a variety of textures combined to make a work of art that can never be duplicated. The model in this image is Cheri Summers, one of the best with whom Falcon has ever worked. This image was created in December of 2019. Not sure which one to purchase? Click here. -
Cheri Summers 0434 Location: Reidsville, NC
Falcon and Cheri began working together in late summer, 2019. Their work together has had wide critical acclaim. There is much to be said about the importance of "chemistry" between artist and model and we see here a living example. This image was created in December of 2019. Not sure which one to purchase? Click here. -
I can't always tell you where we were when a specific image was created. But I can tell you how I felt. Here, I felt as though the weight of the universe was coming down on the remains of this building.
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them? This old, abandoned house, stripped of its grandeur languishes all but forgotten, on the edge of a gentle hill. It can be found in Northwestern North Carolina.
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Lost in the increasingly urban South, left to languish and to be forgotten, places like this are filled with memories. Filled with whispers of voices long lost. Can you hear them?
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“LTD” (NF197826-16-A-SFx)
Location: Somewhere near Hanging Rock, NC.
I found this old Ford LTD, ca 1965, by a roadside tobacco barn somewhere near the North Carolina/Virginia border. Caught out of the corner of my eyes as I drove past, I had to quickly turn around and go back to the barn. In its day, this car was expensive, a sign of success and achievement. Now, it slowly dies, and one day, only rust and glass will remain. I shall never understand how something beautiful - a car, a building, any object once treasured, could be left neglected, to perish in neglect. My heart raced as I approached the car. Such stops are dangerous. No trespassing signs are to be taken seriously in these places. Just being on these properties can be met with gunshot or hostile dogs. I often leave the car door open and the engine running - just in case. As much as I wanted to photography the car from the other side, something just didn’t feel right, so, I trusted my instincts and moved on. A vintage Pentax 6x7 lens was used.. Not sure which one to purchase? Click here.
