Page 46 - Lighting the Unlightable Volume 1 #1

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This was a difficult area to consider. I wanted to make sure that I didn’t lose
any of the detail in the fabric of the couch. I wanted to maintain the soft
shadows and the highlights from the leaded glass. Note that you can see the

seams and folds in the fabric - not easy to do. The plant behind the couch is
even visible and the blinds look natural. The difference in the volume of light
in this segment is between one and two F-stops.

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