Page 86 - NyghtVision Magazine Volume 3 #1
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86 ABOUT NYGHTFALCON






                 See the World Again. For the First Time.





            “See the World Again.  For  the  First  Time”  named Image Masters by DxO Labs, Paris. In
            characterizes the distinctive style  of The   2010, the firm was named to X-Rite’s Coloratti,
            House of NyghtFalcon. If a thousand photo-          a group globally recognized for its color man-
            graphs  were  laid  out  upon  a table,  and only  agement skills. In 2009, Westcott endorsed
            one a NyghtFalcon, that one image would be  NyghtFalcon as one of its Top 100 Pros.
            clearly and easily recognizable. The firm’s hall-
            mark style—vibrant color, rich texture, inten-      Proven Methodology
            sity of detail, emotional impact, unique artis-     NyghtFalcon is a technology-driven firm whose
            tic vision—clearly distinguishes NyghtFalcon’s  primary  focus  is  fine  commercial  photogra-
            work from that of other photographers.              phy—the intersection of fine art photography
              Founded  in  2003,  The  House  of  Nyght-  and the highest  quality commercial work—
            Falcon has received international acclaim. The  combining artistic  vision with  world-class
            firm’s  work  has  been  featured  in  numerous  technology.
            print and online publications including Digital    Having mastered the art of photographing
            Camera World (UK) and The Wall Street Jour-         down to total darkness, dramatic detail is cap-
            nal,  and  NyghtFalcon  was  profiled  in  Studio  tured without the need for additional, expen-
            Photography Magazine in June of 2007.               sive lighting or setup time.
              In  September  2006,  the  firm’s  first  doc-      NyghtFalcon offers a stunning range of vi-
            umentary exhibit,  The Face  of Woman, the  sual effects—from Sepia Terra c. 1918 through
            culmination of three years work, opened in  classic  1950s  Black  and  White;  from  early
            Greensboro,  NC.  In  March  2008,  the  firm’s  1920’s hand-colored prints to contemporary
            largest exhibit of photographic work opened  color  films—and  the  firm’s  unique  ability  to
            at The Norton Center for the Arts at Centre   emulate more than 360 film types eliminates
            College in Danville, KY. The exhibit, Shaker   the need for costly post-processing and graph-
            Visions, featured 2,500 square feet of Nyght-  ic design work, as the entire look and feel of a
            Falcon’s documentary work on the Shaker   photo can be changed in a matter of minutes.
            Village at Pleasant Hill. NyghtFalcon’s work    Often regarded as the “Special Ops” of pho-
            is also on display in the Saatchi Gallery in  tography,  NyghtFalcon  photographers are
            London.                                             trained to deliver world-class photography
              The House of NyghtFalcon maintains pro-           under the most difficult conditions. The firm’s
            fessional partnerships with DxO Labs (Paris),  photographers are equally at home in deserts,
            Canon  USA,  OnOne  Software,  NIK  Software,  on city streets, or in rainforests. Highly adapt-
            Wacom, Innova, Think Tank Photo, Sirui,  able,  flexible,  and  resourceful,  only  the  best
            Pocket  Wizard,  X-Rite,  The  MAC  Group,  FJ  survive the firm’s three-year training program.
            Westcott, Chimera, GigaPan, Queensberry,    The House of NyghtFalcon has seven US
            NEC Displays, and Hoodman USA. Among the  locations  including  Greensboro,  Brooklyn,
            firm’s many honors, in 2006 NyghtFalcon was  Boston, Philadelphia, and Savannah.






    nyghtvision magazine                                 RETUEN TO CONTENTS                                                                                                                        volume 3, number 1, WINTER 2013
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