Page 109 - NyghtVision Magazine Volume 3 #4
P. 109

externalizing was distracting. I was struggling    fact to capture what I was feeling, I felt myself
to find my way around the camera.                  slipping away. Words were harder to form.
	 Initially, I talked about changing lens          	 “I am not here any more......” I remem-
and the emotional experience that brought          ber saying. as the POV video camera contin-
me to do so. I “knew” what I felt and I knew       ued to record what I was doing and saying.
when the lens on the camera just didn’t allow      And I wasn’t. I had ceased to be apart from the
me to compose an image that reflected that         moment. All that I was, my own identity, had
experience. But as time went by, I found my-       ceased to be. I was inseparable from the bark
self talking not about me and my experience of     of the tree, from the redness of the apples, the
the orchard, but of the trees’ experience of the   wetness of the grasses who left their tears for
coming of winter. There was an unmistakable        me to find, from the wandering of the wind
sadness. I could feel that sadness in the bend-    that carried the silent voices of the sadness of
ing of the trees, in the dying of their leaves. I  the trees..... I had ceased to be..... My empa-
was being drawn out of myself by what was          thy for the trees and their sadness had taken
happening around me. The seasons were              me away from myself, away from my separate-
changing and the world of the orchard was          ness, and away from time.
mourning the passing of summer. The cold of        	 I had become so much a part of the mo-
the October morning stung the trees and was        ment that I ceased to be apart from it. Time
drawing the life out of their fruit. I alone was   stopped. Or, perhaps, the moment became so
there to share their sadness. Their sadness be-    profoundly consuming that it refused to yield
came mine.                                         to the next. And I remained with it.
	 Over the far edge of the trees the sun           	 There are photos I created in that mo-
pushed the last shadows of the nyght away. I       ment. When I look at them, I can feel what
turned to my left and followed a small ridge to    I felt then and I can return to that moment.
a row of trees that all seemed bent and twisted    Strangely, there are no words "attached" to
by winds that descended from the hillside. The     those images. Just emotions - mine and those
sudden presence of the sun pained me as much       of the tress - and experiences - the barkiness
as it seemed to pain the trees. My back turned     of the bark, the bitter sweetness of the apples,
to the sun I moved further up the ridge across     the dying of the grass - so profound and so
another decayed road. I passed a wooden box        consuming that there is nothing that I can say
filled with apple trees that had been cut and      about them.
loosely stacked. I ducked under a low hanging      	 As I wandered to the edge of the or-
limb and moved behind another tree. My eyes        chard, I found myself returning to a different
drawn to a cluster of apples hanging low, the      world. There were voices of other people, and
morning sun breaking around them, I crossed        cars, and somehow, I realized, I had crossed
the remains of an old road, climbed up anoth-      the edge of the moment. I had stepped out of
er bank of ground covered in rotting apples        the moment and back into the human world.
and dying grass, and sat behind the tree. Even     As sad as I had been in the orchard, I was even
now I remember the cold wetness of the grass       more sad that I had been taken from the mo-
as the sun wrapped its rising around the world     ment, that I had returned to the detachment of
before me. As I brought the camera up to my        the human world.

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